2 1/2" x 3 1/2" (6.4cm x 8.9cm) pencil on bristol board $15 plus $2.00 shipping and handling in the US email me for International shipping rates or other inquiries.
4" x 4" (10.2cm x 10.2cm)
oil on panel
$175 plus $8.00 shipping and handling in the US email me for International shipping rates or other inquiries.
Here is a new oil painting that I mentioned before. I finally got started on it, after much delay. I was sort of surprised at how quickly this was painted, since I haven't painted in oils lately (although I have been painting digitally on a regular basis and sketching every day, so I'm sure that has helped prevent getting too rusty with oils). Look for more oil paintings soon, including some landscapes.
2 1/2" x 3 1/2" (6.4cm x 8.9cm) watercolor on bristol board $25 plus $2.00 shipping and handling in the US email me for International shipping rates or other inquiries.
I've only rarely painted in watercolor, but plan on painting more in that media soon, especially for sketches like this. Next post will be back to oils.
This is a 20" x 30" oil painting of a scene in Dinosaur National Monument, located in eastern Utah and western Colorado. Painted from reference photos. This exact scene doesn't exist, as it was cobbled together from two or three different photographs I shot while visiting.
I've started up a new, separate blog for my fantasy art and illustration projects. This will function as the news section of my website. I'll be posting new paintings and finished illustrations there, along with various sketches, drawings, and concepts.
So on this blog I will continue to post still life paintings, landscapes, animal sketches, and other related pieces. The Stungeon Studios blog will be where you can see new paintings and illustrations from the fantastical realm.
Happy Halloween! Here is a Samhain bat in charcoal pencil. No, Samhain isn't a species of bat, but it is the name for the Celtic festival that celebrates the end of summer, the harvest season, and marks the start of the new year. It's the time of year when the boundary between the living and spiritual worlds are at their thinnest, allowing spirits to pass through to this world.
This is an acrylic painting I did in 2005, and is part of a series of small paintings focusing on trees.
This was back when I was still painting with acrylics. I've pretty much gone back to oils now, but I will probably go back to acrylics every now and then. They do have a few advantages, the main one being they dry so quickly so that if needed, the turnaround time between starting the painting and shipping it off can be next to nothing.
2 1/2" x 3 1/2" (6.4cm x 8.9cm) pencil on bristol board $15 plus $2.00 shipping and handling in the US email me for International shipping rates or other inquiries.
Brand new sketch hot off the drawing board. I'm offering this for sale as an ACEO (Art Cards, Editions and Originals), which is a small piece of art sized 2.5" x 3.5", the standard trading card size. On acid free bristol board.
I sketched this one out in Painter. I've only worked with that software occasionally, but should probably do some more with it. I've mainly done the digital art in Photoshop.
4 7/8" x 7 1/4" (12.4cm x 18.5cm) Oil on panel $100 plus $7.50 shipping and handling in the US email me for International shipping rates or other inquiries.
This is the second in the ruins series, with more to be painted soon.
I was playing around with some photoshop texture brushes and came up with this. I'm not sure if it will ever become the basis for a painting or not, but I find it interesting to look at.
This is a sketch I did the other day for the next castle painting that I'll be posting soon. I sketched it out actual size to the painting (roughly 4" x 7"), using a new pad of Utrecht drawing paper. I opted for the 14" x 17" spiral bound pad and am really pleased with the quality of the paper-- good stuff and it handles charcoal pencil wonderfully.
Sold This painting is loosely based on the Mow Cop castle ruins in England. The design varies from it somewhat, but was my main point of reference for this.
Sold This will probably be the last of the still life paintings for a bit. I'm planning on continuing a series of paintings focusing on standing stones that I started in 2005, and so will be posting some of those most likely. I also have a series of castle ruins in the works, so that is next up.
SOLD
Painting slices of citrus fruit of any kind is good practice, but kiwi slices seem to be especially good to paint. There is quite a difference in textures between the skin and the inside of the fruit, plus the variation in translucent green color and value to capture as well.
Sold
This was nice to paint in that it allowed for focusing on the translucent quality of the orange. Plus there is a different light source direction with this one as well.
Another food piece. Painting still lifes is much fun, but an extra little perk is when you paint food, there's a bit of tasty reward at the end. :)
For this piece, I used a combination of brush strokes and palette knife-work, which lent a great feel to the painting. Worked on this painting a tad longer than I'd planned, but in the end the extra effort was well worth it.
4" x 6" (10.2cm x 15.3cm)
Oil on panel
$200 plus $8.00 shipping and handling in the US email me for International shipping rates or other inquiries.
I set a time limit for this one and more or less stuck to it. Also, before beginning the painting, I decided what I wanted to accomplish with it within that time frame... probably something I should do more often.
I'm trying to get more of these paintings finished and posted on a regular basis, so more soon.
I painted quite a lot of this with a palette knife, although it may not be very obvious. I thought using a certain knife technique for the left kiwi half could work out well, and then I thought why not continue on with that in other areas of the painting (mainly in the other kiwi half and foreground). The main knife techniques were patting the paint on in a quick stacatto motion, incising with the sharp edge of the knife, and sort of troweling the paint on parallel to the painting surface.
4" x 4" (15.3cm x 10.2cm) Oil on panel $100 plus $7.50 shipping and handling in the US email me for International shipping rates or other inquiries.
This was a very quickly painted study-- the goal being a sort of short hand notation in paint of the pecan. I wanted to get the thing down quickly with minimal blending or any extra "fiddling".
I knew I would get around to painting more grapes eventually (although this time, obviously ones of the green variety). Grapes are fun-- one of my favorite types of fruit to paint.
I can't remember ever eating eggplant, but I picked this one up while hunting for things to paint in the produce section. I thought it would be interesting to paint, and it was. By placing it in a cool grey environment, I wanted to contrast the dark violet undertones of the eggplant with the blue greys of its surroundings.
The rose is an interesting thing to paint, even from a distance like in this case. I think I'll be painting one every now and then... maybe a closeup next time.
I had never heard of Peeps until my wife brought some home. I have to say, they are pretty tasty (this from someone who likes twinkies, of course). Also, it's fun to pretend you're Ozzy Osbourne and bite their heads off... perverse maybe, but it somehow enhances the dining experience.
6" x 6" (15.3cm x 10.2cm)
Oil on canvas panel
$225 plus $8.00 shipping and handling in the US email me for International shipping rates or other inquiries.
This one is a little different-- more saturation in the colors and loose brushwork. A lot of times with the canvas panels, the textured weave of the canvas mucks up the scan... it just doesn't scan well at all. With this one I put more coats of gesso on the canvas to subdue the texture, and so was able to scan it instead of shoot it with the digital camera.
This is not a new piece by any means, but it is a favorite. I painted this in Photoshop back in 2004 as just a practice piece to try to better my digital painting skills. I was pretty happy with how this turned out and I remember really getting into the zone while painting it.
Painting digitally is different than painting in oils, but there are also lots of similarities. For instance, when painting digitally I use a wacom tablet and (as in oils) start off with large brushes, then work my way down in size as needed. And there is a flow to both that seems to escape acrylics. It seems the digital painting has helped the oil painting and vice versa, of course.
4" x 4" (15.3cm x 10.2cm)
Oil on canvas panel SOLD
My favorite type of cookie. Unfortunately I didn't get to eat this after finishing the painting, since it was painted from a photograph (just another reason why painting from life is better :)
This is something else that I did last year. This little grape was painted as a study for my grapes daily painting. I had never painted a grape, so thought it best to paint a study beforehand. Studies are good because when you paint the final piece, you can do so with more confidence, since you have already worked out some of the problems ahead of time.
Here is a sketch I did last year of a lion. Big cats are interesting to draw and their power, mane and other features seem to lend themselves well to sketching, so this one was fun to do.
5" x 7" (15.3cm x 10.2cm) Oil on panel $175 plus $7.50 shipping and handling in the US email me for International shipping rates or other inquiries.
I really meant to post before now, but I've been busy with various projects the past couple of months, and so decided it might be best to postpone getting back to the daily paintings. Regardless, it's good to be back and hopefully I will be posting much more regularly from now on.
This painting started out as a Christmas still life with poinsettias included. Needless to say, the holidays past by and I thought it best to change the scene, rather than painting the original holiday version and then waiting a year to post it!
4" x 6" (10.2cm x 15.3cm)
Oil on panel
$200 plus $8.00 shipping and handling in the US email me for International shipping rates or other inquiries.
I thought it would be nice to add a little harvest flavor to the daily painting offerings, as a sort of ode to autumn (probably my favorite season, although winter is nice too). So here's to cooler weather and the harvest season!